Meet our six 2022 judges
Russian pianist Dmitri Alexeev is one of the world's most highly regarded artists. His critically acclaimed recitals on the world's leading concert stages and concerto appearances with the most prestigious orchestras have secured his position as one of "the most remarkable pianists of the day" (Daily Telegraph).
He has performed in all major concert halls around the world and has performed with all leading orchestras such as the Berlin Philharmonic, Chicago Symphony Orchestra, Philadelphia Orchestra, Royal Concertgebouw of Amsterdam, the five London orchestras, Orchestre de Paris, Israel Philharmonic and the Munich Bavarian Radio Orchestra amongst others. He has worked with conductors such as Ashkenazy, Boulez, Dorati, Gergiev, Giulini, Jansons, Muti, Pappano, Rozhdestvensky, Salonen, Svetlanov, Temirkanov, Tilson Thomas and Klaus Tennstedt amongst many others.
Alexeev has been a juror for many of the world’s most prestigious International Piano Competitions, including the Leeds, Chopin (Warsaw), Van Cliburn, Santander, Beethoven (Vienna) and Tchaikovsky (Moscow) International Piano Competition. He regularly gives masterclasses around the world.
Alexeev has made many fine recordings for EMI, BMG, Virgin Classics, Hyperion and Russian labels. Following his Virgin Classics recording of the complete Rachmaninov Preludes, which won the Edison Award in the Netherlands, BBC Music Magazine described him as "a pianist at once aristocratic, grand and confessionally poetic. This is an inspiring disc." In 2019 Alexeev completed his recording project of Scriabin’s whole solo piano works which will be released in nearest future. His recording of the complete Chopin Mazurkas was released in 2014. A recording that Gramophone Magazine referred to as “one of the best recordings of the Chopin Mazurkas that have appeared in the past three-quarters of a century - one of the best alongside those of Rubinstein and Yakov Flier.
“Alexeev’s two piano transcriptions of works by Shostakovich, Stravinsky and Gershwin as well as a his transcription of Brahms’ Ballade for Viola and Piano were recently published by ‘Muzyka’ in Moscow.
Sam Haywood has performed to critical acclaim in many of the world’s major concert halls. The Washington Post hailed his ‘dazzling, evocative playing’ and ‘lyrical sensitivity’ and the New York Times his ‘passionate flair and sparkling clarity’. He embraces a wide spectrum of the piano repertoire and is equally at home as a soloist or chamber musician or with accompanying Lieder. He has had a regular duo partnership with Joshua Bell since 2010 and often performs with cellist Steven Isserlis.
He has recorded two solo albums for Hyperion, one featuring the piano music of Julius Isserlis (grandfather of Steven Isserlis) and the other Charles Villiers Stanford’s preludes. His passion for period instruments led to a recording on Chopin’s own Pleyel piano, part of the Cobbe Collection. In 2013 Haywood co-founded Solent Music Festival in UK. The annual Lymington-based festival features highly varied programmes and projects in the local community. Guest artists have included the King’s Singers, the Bournemouth Symphony Orchestra, Steven Isserlis, Anthony Marwood, Michael Portillo, Mark Padmore and the Elias Quartet.
Guy Johnston, Cello
Guy Johnston is one of the most exciting and versatile British cellists of his generation. Born into a musical family, Guy joined his brothers in the world-renowned choir of King’s College, Cambridge, where he recorded the famous carol Once in Royal David’s City, under Stephen Cleobury. He went on to achieve important early successes through the BBC Young Musician of the Year title, the Guilhemina Suggia Gift, the Shell London Symphony Orchestra Gerald MacDonald Award and receiving a Classical Brit Award at the Royal Albert Hall. His mentors have included Steven Doane, Ralph Kirshbaum, Bernard Greenhouse, Steven Isserlis and David Waterman.
He has made many important debuts including at the First Night of the BBC Proms playing the Elgar Cello Concerto with the BBC Symphony Orchestra/Slatkin, the Brahms Double Concerto in the Philharmonie with the DSO Berlin/Valchua, and the Schumann Concerto with the English Chamber Orchestra/ Tilbrook.
Among past highlights with leading orchestras on these islands are ‘Don Quixote’ with the National Youth Orchestra of Great Britain/Tortelier, the Walton Cello Concerto with the BBC Philharmonic/Tortelier, the Dvorak Cello Concerto with the City of Birmingham Symphony Orchestra/Seal, Britten’s Cello Symphony with the Royal Northern Sinfonia/Ticciati, and Shostakovich Cello Concerto No. 2 with the RTE National Orchestra/Altschuler in Dublin.
Tasmin Little OBE, Violin
Tasmin Little has firmly established herself as one of today's leading international violinists. She has performed on every continent and in some of the most prestigious venues of the world. Her discography and performance schedule reflect her wide-ranging repertoire and she has given numerous World Premiere performances. She remains one of the few violinists to perform Ligeti's challenging Violin Concerto performing it in Berlin, New York, Salzburg, Amsterdam and Philadelphia.
Tasmin Little is a Fellow of the Guildhall School of Music and Drama (FGSM), a Vice President of the Elgar Society, an Ambassador for The Prince’s Foundation for Children and the Arts, and for Youth Music.
In 2016, she was awarded Honorary Membership of the Royal Academy of Music (Hon RAM) by the Academy and the University of London. In 2019, she won the BBC Music Magazine Personality of the Year Award. She is the recipient of the Gold Badge Award for Services to Music and in 2012 was appointed an Officer of the Order of the British Empire (OBE) in the Queen's Diamond Jubilee Birthday Honours List, for Services to Music. She plays a 1757 Giovanni Battista Guadagnini violin.
John Wallace CBE, Trumpet
John Wallace grew up in the Brass Band tradition in Scotland. In 1965 he toured Europe with the National Youth Orchestra of Great Britain and went on to become Principal Trumpet with the Philharmonia Orchestra after periods with the Royal Philharmonic and London Symphony Orchestras as Assistant Principal.
In 1986, John created his flexible brass interest group, The Wallace Collection, who made over 30 solo and ensemble CDs and undertook a wide variety of performance tours and innovative musical projects. During his first career as a trumpet player, John played concertos with many conductors including Simon Rattle, Andrew Davis, Riccardo Muti, Giseppe Sinopoli, Esa-Pekka Salonen, Leonard Slatkin, and premiered new works by Malcolm Arnold, Peter Maxwell Davies, Harrison Birtwistle, James Macmillan, Tim Souster, Robert Saxton, Mark Anthony Turnage, HK Gruber and Dominic Muldeowny amongst many others.
In 2002 he became Principal of the Royal Conservatoire of Scotland, a multidisciplinary institution of Drama, Dance, Production, Screen and Music. He left this position in September 2014 to resume his musical career, reforming The Wallace Collection, and composing new music for brass.
John was awarded the OBE in 1995 in recognition of his distinguished services to Music, and the CBE in 2011 for services to Dance, Music and Drama in Scotland.
Katherine Bryan, Flute
Katherine Bryan made her concerto debut at the age of 15 with Daniel Harding and the Academy of St. Martin-in-the-Fields in London and later made her US concerto debut at the Lincoln Centre with the Juilliard Orchestra. She has since performed as soloist with the BBC Philharmonic, Helsinki Philharmonic, Royal Scottish National, Hallé, Nurnberger Symphoniker, New York Philharmonic and English Baroque orchestras.
Katherine studied at Chetham's School of Music, Manchester and won a full scholarship to study flute at the Juilliard School, New York with Jeanne Baxtresser and Carol Wincenc. She was a prize winner at the Royal Over-Seas League Music Competition, the Young Concert Artists International Competition in New York and was a finalist in the BBC Young Musician of the Year for three consecutive competitions. She was awarded the Julius Isserlis Scholarship by the Royal Philharmonic Society. At the age of just 21, she was appointed Principal Flute with the Royal Scottish National Orchestra - a position she holds today in addition to appearing as concerto soloist with leading orchestras worldwide.
Katherine is currently a lecturer in flute at the Royal Conservatoire of Scotland and Chetham's School of Music in Manchester. She a regular Guest Principal with the Philharmonia Orchestra, and has also played Guest Principal with the London Philharmonic, BBC Symphony, BBC Scotttish, BBC Philharmonic, Royal Northern Sinfonia, Royal Philharmonic, Hallé, Seattle Symphony, Swedish Radio and London Symphony orchestras.